Sunday, 28 November 2010

Response to "Shadow Play"

Gentle understatement,
Haunting Bartok,
Silhouettes in slow motion.
Rebuilt Chain Bridge,
Testimony to renewal.

Shadow feet walks city street,
To haunting boots, shoes,
At river's edge,
Tramp to oblivion,
Memorial to an obscene last act
by Danube's chill waters,
An end and beginning.
Deeply ironic resurrection,
Of those whose elimination took them
into the water-of-life for the perpetrators.
(or: from death to life-giving
in the enemy's midst.)

Poet with his life reduced
To darkness, certain death,
Still wrote verses on scraps
Shoved in his pocket.
Future exhumation made them
Identifiers after his disintegration.
Immortalised in words and bronze.

Statues transmuted from oppression,
Super-human inaccessibility,
To relaxed, human proportions.
Powerful in their informality,
None-threatening but always challenging.

Edward Petherbridge's Budapest.
An iphone production of montage,
Shadows and ripples.
Gentle voice alliterating,
Rhythmically playing with
Language, light.
Expanding pathos, drama.
Exposing fundamental paradoxes.

Another moving, revelatory gem.
New technology performance art
Provoking irresistible response.

Sunday, 21 November 2010

Saturday, 20 November 2010

Almost Soho


Once the decision was made that we couldn't go on
and get into Soho, which like Brigadoon seemed
to have become an illusion with all roads closed
into the enclave due to the Lord Mayor's Show,
we would people watch, take photographs,
comment, sometimes waspishly,
on the passing scene.
I'd missed the meeting despite being in London a
good one and a half hours before starting time.
My stress levels were through the roof with
exasperation.
After an hour in static traffic on London Bridge,
with an effort the levels subsided and I
succumbed to sense, deciding to make the
best we could of the situation.

Looking beyond the cones and no entry signs,
we glimpsed portly men in antique uniforms
raggedly making their way back to wherever
their incongruous transport was parked.
Standing at a bus stop, an Air Cadet with
cymbals clasped under his armpit,
hands still white gloved and pristine,
making his way home.
Theatre and the prosaic meeting.


At 3.30pm as we waited in more grid locked
traffic, a figure lurched to a standstill, at a corner,
steadied himself and his can of Special Brew
against a wall, and surveyed the scene,
taking stock through eyes, that even at a
distance, looked unfocused.
It was a rubbery,Hogarthian countenance,
and equally booze soaked.
The camera clicked randomly and with
my usual abandon, hoping that out of
the indiscriminate might come something
interesting.
Like the figure sitting by the roadside,
hood up, eyeing passers by and, surprised,
acknowledging the lone donation dropped
onto his blanket.
In the viewer the figure was blurred,
all the focus on the outline of wing mirror
and car window sill.
I was going to discard it when No.1 son
stopped me and saw potential.
"Do we really see the homeless?"
The picture spoke and remained.

Stepping out of a taxi an African woman
stopped to look about her before ascending
a flight of stairs to her maisonette.
A cloud of silver tissue gracefully swathed,
folds draped, crisply angled at the shoulders,
a toque pleated into a cockade.
Lusciously exotic against a seedy,limp
background.

Another episode of gridlock gave me
the opportunity to snap boys on bikes,
casually gliding in decreasing circles,
then suddenly pirouetting,
with rising back wheels,
weaving in, out, of columns and
each other.

In an unchoreographed barn dance,
people advanced, retreated, with
suppressed hysteria into and out of
tube stations.
They sashayed out into the road making
for the safety of the isles at the base of
traffic lights.
Making shapes where real life lies.
Crawling in traffic gives time to look
down alleyways and glimpse
another London, and dimension,
behind the hi tech facades.

Monday, 1 November 2010

Fenland Samhain

As day fades,
Sun makes one last entrance,
diffuse cascade of gold poured over
the horizon.
Long rows of trees stream
to the vanishing point.
Distant buildings in this
flat landscape,
dwarfed
by the sky,
forcing eyes upward,
to a varied cloudscape.

Veiled flame-clouds fill
two thirds of the windscreen,
enveloping mist gives the air a pink-grey haze.
Trees, a palette of umber,ochre,
terracotta, russet.
Long fields dry but striated
by dark, loamish slashes.
Parapets of cumulus rise
threatening rain.

In muted tones earth-life,
slows,
cryogenic.
A slow throb holding the spark
as it renews, garners strength and power.
Fusion rolls, compounds secret stockpiles
until the Sun returns,
A high Gloria unveiled.

Droves, cuts, are calm,
sluice gates stand raised.
Churches, chapels, in field corners,
marooned,
sentinels of a once new order.
Hills of mangold wurzels
undulate.
All transmuted
by Autumn's chill breath.
Shrouded shapes coalesce.
Copses rise crannog-like,
above a meniscus of mist.

All Hallows Eve
an attempt to reconcile
what?
Threads of both old and new,
unbroken, bloodied, but unshaken,
Its fulcrum - the Sun Son.

Cloudscape,
above,
of a parallel dimension.
Buildings,
below,
isolated, square,
austerely dark except for a dull glow
in the endmost top window
intrigues.
Aren't they afraid to move so far
from a comforting hearth-side?

Eye, Walsoken,
etymology
connecting us with our past.
Flag Fen, the Iceni,
hidden,
still faintly pulsing,
their DNA entwined with ours.
Samhain-All Hallows
reminds us of part
of helix at our fundus.

Tomorrow the mantle changes,
seemingly.
Warp to weft.
Thread of the future that help us face,
overcome,
winter's soul demands.
The chthonic,not necessarily
detrimental,
reminds that in frailty, arrogance,
ignorance,
we still need the earth,
we are more than flesh.
Rationale is suspended;
for one night
we nod to an olden time,
invisible world reinforcing its reality.

I like night driving.
Light changes
perspectives,
removes details, reveals basics.
Silhouettes,
untrammelled.
Lighted ribbon way speeds,
dull glow behind treed roads,
signals humanity,
at a distance,
where,sometimes, it should be.

At night,
in Fenland, earth has
pre-eminence.
Humans are
marginalised,
other creatures reign,
things closer to God.

My Autumn is now.
If I am wise I will
reconnect
with the basics.
Ditch flim-flam,
remove deadwood
that I might,
at last,
see the trees.

Friday, 22 October 2010

Teenage Logic

Grandson No1, the nineteen year old, has been my carer/supervisor today.
The pain has been bad so I stayed at home with him while the rest of the family
went to take their chance at TV Centre.
I wandered around with a heat pack wrapped inside my pashmina and tied
round my middle.
He's excited because tomorrow he goes to meet his "Divine Sarah" and spend
a few days with her, playing house.
The night before last he accompanied his parents to an event held in a plush
burlesque club and promptly left to spend the evening in the car.
"I felt uncomfortable being there and her feeling ill away up in Yorkshire."
Bless him!
Under that unfazable, super cool exterior he does have limits and standards
he can't transgress, and is willing to stick to them.

He handed me two pairs of denims, scruffy and frayed, and indicated the
slashes in each on the inner thigh.
"Can you mend these like now?"
Two slits closed later and as I clipped off the cotton, I tentatively asked
if I should also trim off the tatty scraps that drag at his heels.
OMG! No! They're like essential"
But not the slits?
Think tolerance Jenny.
After all, here you are dressed in fleecy, uncoordinated layers, real grunge,
with a halogen forehead lamp and glasses on the end of your nose.
Best keep quiet perhaps?

Sunday, 17 October 2010

Following my whimsy


With a sense of anxiety bubbling in my stomach,
before dawn broke, I tried to gather my faculties.
At 3am I was watching shooting stars of the astronomical
kind in a clear but crowded sky, sans orange glow or city
lights to obscure the glory.
All confidence had dripped away.
I would know no one, be in a daunting environment,be in
the same space as someone I admire immensely.
People might be beyond me intellectually and in terms
of sophistication.
I was engulfed in an inferiority complex that has trailed
me since forever and, at the last minute, has given me
endless excuses to duck out of difficult situations and
then berate myself for missing out.
Telling myself that I was as good as anyone else, that I
only had myself to blame if I missed this, I steeled
myself and we set out for That London as daybreak started
to evaporate the rime, so that wispy misty drifts flowed
erratically across fields and hedges.
It was early enough for a herd of deer to linger
behind a hedge close to the road.
We filled up with diesel, the queue and checkout
woman still yawning and coming to.

On the outskirts of The Great Wen the traffic thickened.
I developed palpitations which increased as the husky voice
of the satnav variously sent us left, right,straight on,
obviously using a long out of date map.
All our factored in time for delays drained away and with a minute
to spare we steered INSIDE the black barriers beyond the visitors
entrance of The Mother of Parliaments.
In my sweaty little paw I juggled the invitations and confirmatory
emails ready to prove our right to infringe the usually forbidden areas.
We were at checkpoint/border posts.
A cheerful helmeted bobby got us through the first and handed us on
to terser, more aloof colleagues with guns and mirrors.
The car was trapped between mini ramparts that rose
back and front from the earth and the vehicle was searched
inside and out before we were ushered on.
Our host met us and took us through the personal security procedure.
I didn't warrant a photograph on my pass being too low down,
because of the wheelchair, for the camera.
Then on through inner courtyards, through the village
that is Parliament, passed stonework shrouded in plastic,
regiments of cast iron tiles being cleaned or replaced,
weaving and dodging past cages of provisions
disappearing up dim corridors.
At last we entered Westminster Hall and inside the cordon
I got my first glimpse of my fellow society members,
my first opportunity to assess what I had joined.

We seemed a varied bunch with the age range
weighted towards the middle aged and elderly.
I felt reassured,
It was much as I had expected.
The Secretary welcomed me and at last I could put faces to email tags.
I think I was a little anxious about the possible inconveniences
the wheelchair might engender and any discomfort its presence
might give to others but there we were and soon setting off
to our first point of assembly, ahead of everyone else
because of the different route needed for the chair.
It was a recurrent feature of the day and I decided to be positive about it -
it would give me a different perspective and view from anyone else.

The tour took over an hour and our guide vied with the presence
and hubbub of other guides and groups in trying to show us everything
and guide us through chambers and spaces.
The visual senses are overwhelmed with the pre-raphaelite,
mock Gothic decoration, with ceilings dripping in gold leaf and complex designs.
There was also the character of the group and I felt at home,
perhaps too much so, in the company of so many elderly people
muttering that they couldn't hear the guide,
wandering off to look at things themselves or engaging in
diverse conversations with friends not seen since the last meet-up.
Our shepherd tried his best, was exasperated with other guides who
transgressed time and space, fielded quixotic questions,
and long over ran his allotted time.
There is an element of change coming as all the guides are being re-trained
and this obviously rankled, bringing challenges to perceived competence
and suspicion of increased vigilance and uniformity.
Hurrying on now we made our way to the marquee on the House of Lords
terrace and the reception.
This bright autumnal day was perfect for the view of the Thames
and London Eye.
Quiet servers started to circulate with drinks, people drifted out
on to the terrace and finally someone braved breaking the ice
with wheelchair woman.
I tried to guess who might be who, identified Norma Major, and
then Edward Petherbridge and his wife arrived.
Like a silly young thing I became flushed and starry eyed,
finally seeing someone I had come to admire so much,
not just for his Lord Peter Wimsey but the plethora of his other
work.
OMG! The editor of the society bulletin is speaking to him,
gesturing towards me and they are coming over.
How could she do this?
I shall be either dumb or inane.
Nevertheless, here he is shaking my hand.
I had already drawn my son's attention and asked him
to get a picture as EP gave his reading from the new novel.
What came out in a sequence of photographs,
on the mobile phone camera, was the mortifying sight
of my raised index finger pointing, for all the world looking
as if I was wagging it, at this lovely man.
What I was saying is a blur but I am absolutely certain it wasn't
anything in the least bit admonitory, but it's a gesture I loathe.
The saving grace was that EP was laughing.
He was kind enough to remember my weekly comments to
his weekly posts positively and spend some time talking
about various aspects of his work, amongst other things.
My day was more than complete.
Then he had to go, I had to go.
Son and I retraced our steps down ramps, in service lifts,
down back corridors, and into Black Rod's car park.
We both sat savouring the moments and
asking ourselves if it had all really happened as it seemed.
Almost euphorically we dived into London's traffic
ready to take our chances, enboldened!
My whimsy had taken me into a place and situation
I had not expected to be in three months ago.
Thank goodness that damned reticence had been grappled
with and discharged, this time!
Zen and gin made me feel stimulated and happy but in a
Non-productive way.
Won't feel guilty about that,
Just psyching myself up for seeing one of my heroes
Next Monday if all goes to plan.
But I won't speak to him,
I'd be tongue tied and stupid.

I must have an ipad, to play with,
To tinker with the Touch Retouch app,
And the painting app,
All the apps!
Oh I don't care!
Had to answer a million questions, today, to see if I qualify
For an extra £23 pounds per week pension.
I hope I gave the right answers.
DO I have right of abode in this country?
HOW would I prove it?
(IF I had to.)
WHAT does it mean?
I know I sound like a demented old hag.
Look it too, according to the bloody phone videos
My son insists on shooting.
And the notes for this blog look like a spider
Has tottered across the page.
DON'T CARE!
Get it?